REVIEW: Plaid Brixx – Chemistry EP

The Chemistry EP kicks off with its title track, haunting and amazing listeners from the get-go. There is a strong presence of the 80’s on this track, which shapes it into the addictive song it is. I found myself hitting the repeat button on this one, just because it gets in your head. It’s a great way to start the EP, and as a first impression, speaks volumes about Plaid Brixx.

Staying in time with the amped up energy of the first track, “Wanderlust” sounds like something Green Day could have written, but with a pop-rock edge to it. I love the trans of the 80’s. This honestly sounds like something an obscure character from a John Hughes film would be bopping their head to as they walk down crowded halls. The imagery expressed in each line is poetic in style, which further solidifies the band as a group of artists who stand out.

“Heartbreaker” may not be an original title, but Plaid Brixx definitely gave the title a new connotation. With what appears to be an allusion to “House of The Rising Sun” in the first verse, this song can draw in an array of listeners, as well as demonstrate the musical knowledge of the group. My frustration only mounts when I hear so much electronic around such fantastic vocals, but unlike many of today’s artists, this is tastefully done. I am intrigued at how this would come across live.

Like a surprising bout of comedy, “Hipster Queen” is the ultimate dig at everyone’s favorite stereotype: the Hipster. Granted, Plaid Brixx may be saying they love the girl in spite of her hipster status, but this comes off as a parody. Perhaps this will be one of the stereotype tracks to go down in history. “Back in my day, we had people who were called ‘hipsters.’ Just listen to this song, you’ll understand…”

Finishing off with “Here I Go Again,” Plaid Brixx show off an edge once again with rock undertones. There is pure attitude in this song, taking over, laced with sexual undertones. This is so ridiculously catchy, even against my better judgements. Feminists beware, you might be desiring pitchforks listening to this, but don’t freak. Just enjoy the music.

Overall, I loved the consistency of this EP. Plaid Brixx know what sound they’re aiming for, and they went for it. As my first introduction, I was surprised at how much I found myself enjoying each track. They have a new wave/rock sound that is irresistible.

REVIEW: Transitshop – Velocity

 

From the get-go, Transitshop have an infectious, palpable energy about them. “Collective” seems to be both a reflection and a reassurance, all at once. The ultimate “things could always be worse, so please stop complaining” narration, the “woah-oh-oh”s will have listeners singing along at the top of their lungs.

“Life Goes On” has a retro style to it, reminiscent of something you might hear on the First Wave channel on Sirius radio (a.k.a. the cable of radio), further pushing the band’s optimistic message that, life, indeed, goes on. “The Stone” carries that same nostalgic feel, implanting listeners into a John Hughes-esque dance sequence. Of course, if we’re on the topic of perfect additions to John Hughes film soundtracks, “What Gives” may be perfect. Trust me.

With “Be There Again,” Transitshop slows it down a little bit, presenting a more vulnerable side to their sound. The longing for the past is strong and relatable, with a powerful presence that will probably resonate well with listeners. Speaking of longing, “Pick Me” is the most upbeat and catchy plea I’ve heard in a very long time, in an almost humorous way.

Out of every song on the album, “Ziachronic” may have to be the most notable. Between the steady presentation and the impressive lyrics, it’s a difficult track to resist.

One thing I love about Velocity, is the pure nostalgia in each song. However, there is an originality that shines through brilliantly. After hearing so many 80’s copycat bands, it’s very much appreciated to hear an album that pays homage without sounding like bad karaoke.

Velocity showcases a versatility, style, and class that no band could accomplish like Transitshop. As their debut album, it certainly makes a pointed and memorable impression. With alternative/indie-pop style, and new-wave, 80’s attitude, Velocity will be difficult to top.

PLAYLIST: 19 Songs For Turning 19

On February 28th, I turned nineteen years old. Many things have changed over the years, but my love of music hasn’t, and nor has my insane desire to create a playlist every year. It’s the only way I really allow myself to fuss over my birthday. Anyway, here are nineteen songs I thought were right to ring in my nineteenth birthday. Enjoy!

1. “Like It’s Her Birthday” by Good Charlotte (2010)

 

2. “Ocean Avenue” by Yellowcard (2003)

 

3. “Birthday In Los Angeles” by The Maine (2013)

 

4. “I’m Not Okay (I Promise)” by My Chemical Romance (2004)

 

5. “Run Don’t Walk” by Hey Monday (2008)

 

6. “Chocolate” by The 1975 (2012) (Yes, I am aware what this song is supposed to be about, but it’s catchy!)

 

7. “Brave” by Sara Bareilles (2013)

 

8. “Don’t You (Forget About Me)” by Simple Minds (1987)

 

9. “It’s My Birthday” by Pixie Lott (2011)

 

10. “Happy Birthday” by The Click Five (2007)

 

11. “She’s Got Something” by Greg Holden (2009)

 

12. “Bohemian Rhapsody” by Queen (1975)

 

13. “She’s So High” by Tal Bachman (1999)

 

14. “High School Never Ends” by Bowling For Soup (2006)

 

15. “Alone Together” by Fall Out Boy (2013)

 

16. “This Car” by Cassadee Pope (2013)

 

17. “First Time” by Boys Like Girls (2012)

 

18. “Poppin’ Champagne” by All Time Low (2008)

 

19. “The Very Last Country Song” by Sugarland (2008)

 

*BONUS: “Weightless” by All Time Low (2009), because this year is mine.

REVIEW: Night Riots–Young Lore EP

 

“Back To Your Love” hits me like an unexpected wave. It’s light; a song to dance to, a song to sing to, a song to drive to. It pulls you under, and intrigues you. The rest of the EP has high standards to live up to, especially to a track that could easily be found on the radio being requested again and again.

“Remedy” is reminiscent of a piece of an 80’s film soundtrack. It’s watching Farmer Ted slowly pull the car out of Jake Ryan’s garage, even though he can’t drive stick. It’s seeing Ferris Beuller stealthily avoid adults in his life to insure that he has the best day off. At its core, this is a love song. “You’re my remedy, you’re my cure,” is not exactly an original sentiment, but the way Night Riots present it, you’d never know.

Let me admit something right now: I hate spiders. They creep me out beyond belief, and just seeing the word makes me itch. I did not have high hopes for “Spiders” as a track, but then it began playing, slow and steady, with guitar parts seemed to sing the 60s and mimic the 80s. Despite being my least favorite creature, “Spiders” may be my favorite track on the EP, if not just for the purity of the sound and the lyrics. Something about it is hopeful, it’s powerful, and it’s impossible to ignore.

“Masks” is another on my list of possible favorites, though I’m not sure how to explain why. My biggest peeve with this song is that it seems to fly by too fast, despite being almost four minutes long. Whether or not it’s because it’s easy to get lost in the sound, I don’t know. “Does Holy water make you pure?” Night Riots ask, almost challenging people to think. Songs like this remind me of why I love music; it makes you feel. It makes you think. The simple truth is that this is melodic and smart, adding to its appeal and allowing Night Riots to mark their territory on your iPod.

“Loyal Blood” is a happy, indie-esque track that does encourage hip swaying, head bobbing, and possible feet stomping. It also solidifies the idea that Night Riots should tour with Young The Giant. Just sayin’.

While the rest of the album carries an almost sunny-disposition, “Young Lore” starts off slower, with a soft tone, like the introduction to a feel good moment (peaceful choir sold separately). When it picks up, each line, each beat, is catchier than the next, finishing the EP off as strongly as it began.

Overall, I loved Young Lore, because it’s fun, it’s catchy, and wonderfully written. Five stars!

REVIEW Dream Arcade EP

Growing up, I’ll admit I obsessed over 80’s films. John Hughes, to this day, is one of my top directors, if not the top one. I was also that strange kid who read all the lyric booklets in every CD I could find. Dream Arcade’s new, self-titled EP is like the collision of my two obsessions: 80’s cinematics and lyrics.

From the first song, “Fast Towards Heaven,” listeners will find themselves immediately drawn in. It’s about waiting for love and desperately trying to get to it before it’s too late. In many ways, it’s the anthem of Long Distance Relationships. With fast-paced, electronic beats and catchy lyrics, Dream Arcade personifies heartache as a restless driver.

Continuing on with a heartbroken theme, Dream Arcade gives an echoing, haunting attempt at translating pain with the track “Safe.” It’s beautiful and takes the idea of someone breaking your heart to a new level with lines that read like poetry. The pain in these lyrics is heart wrenching, but brilliant.

“Things I’ve Lost” may be my favorite song on the EP. It’s the memories from growing up, from the great to the awkward. It’s growing up and realizing that nothing’s changed. It’s being desperate to leave the same town you’ve been in your whole life, but also clutching at straws to stay. It’s the anthem for the kids who want the late-night drives, with the people they’ve known their whole lives, in the town they don’t know whether they hate or love. It’s the anthem for anyone who’s ever grown up.

“Chelsea Girls” is the epitome of an 80’s track. From the description of the evenings and the girls, to the idea of them being out of his league, this is the song-version of Bender’s (portrayed by Judd Nelson) thoughts as Molly Ringwald’s Claire snaps back at him with a snarky comment. In many ways, it’s endearing.

Last, but definitely not least, the “Summer Salt” begins. At first, I wasn’t sure if I really loved this song or wanted to just go back to “Things I’ve Lost.” But once I forced myself to ignore the predeceasing song, I found that I was completely entranced. Lyrically, each line is clever and well-written. It’s a great addition to any summer soundtrack.

Overall, I was impressed by the nostalgia I felt listening to Dream Arcade. It took me back to many summer days by the pool or sat watching John Hughes films until I could recite every line.