Category Archives: Review

REVIEW: The Adversary – ‘Chapter 3: Falling Is Flight’

the adversaryThroughout the five-track release, The Adversary channel 80’s style (see “Coming On”), utilizing modern technology. On tracks like, “Coming On,” the nostalgic vibes are strong, as well as fantastically catchy.

However, it’s “Aural Fixation,” with opening bass notes remind me of “I Wanna Dance With Somebody,” and a very 80s sound, that is quite mesmerizing. It’s a very chilled track, which I can easily imagine in the opening credits of a film. Rhythmic, catchy, filled with plenty of other-worldly sounds to keep a listener entertained, especially once the haunting vocals eventually creep in, hypnotic in nature, and adding another layer to the song.

“Falling Is Flight” features systematic sounds, with a steady build. The husky tone of the vocals remind me of Muse’s Matthew Bellamy’s haunting drawl. The track acts as a beautiful reminder that holding on so tight to something is unhealthy, and sometimes, that plummeting fear of the fall is the only way to move on.

The last two tracks, “Can You Believe” and “When Doves Cry,” are very similar, to me. Both thrive on synth-driven, repetitive melodics and lyrics, which work in their favor. In all honesty, this collection of music is something you want to move to, not necessarily sit around listening to. So, listen to the music, get off your butt, and get dancing in your room, like humans were obviously built to do!

Chapter 3: Falling Is Flight is available NOW.

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REVIEW: Thieves & Lovers – ‘Seasons’

thieves and lovers seasonsIt would appear that Thieves & Lovers can do no wrong, as proven with their brand new four-track record, Seasons. The record kicks off with a guitar-driven, infectious, cinematic opening, “Sex & Cigarettes.” The track acts like the plea of a person who has given into their feelings, and is begging another to do the same. At the bridge, the guitar practically sings, showcasing a stunning instrumental quality that remains present throughout the record.

“See You Soon” follows as a 90s reminiscent, chilled-out song, filled with a poetic tone, accompanied by soft instrumentals. With a bittersweet goodbye, I would dare say the record is about the seasons of a relationship, or the seasons of growing up, and learning to cope with the unknown moments that will approach in life. “Waiting Game” follows a similar theme, describing the difficult work of soul-searching, and the angst of getting older, trying to figure out what you want. Again, stunning instrumentals are a prominent feature, with Brandon Stoner crooning, “It’s not the waiting, it’s the spaces in between.” He delivers the line with raw emotion, making it a truly believable performance.

However, it is the final track, “The Rain Season,” that is, hands down, my favorite song from Seasons. As a peaceful, final ode to the meaning of life and the sheer enormity of the world, the track is a resignation to the end as a whole, whether that’s the end of a relationship, the end of a life, etc. The rhythm of the track crafts this rare feeling of a live, acoustic show intimacy that wraps listeners up like a warm blanket on a bitter, cold day. And what more could you possibly ask for from a record?

Thieves & Lovers’ Seasons is out today! Click HERE to pick up a copy!

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REVIEW: The Way Away – ‘Something I Never Wanted’ EP

the way away EP.jpgThe Way Away kick off their new EP, Something I Never Wanted, the way any good pop-punk band should: with high energy, amazing guitars, and fast-paced vocals. “Second Chances” is the type of song that makes you want to mosh in your bedroom, pretending that you, too, are a rockstar. Matt Kabes vocals are perfection, delivering lyrics that hint at the title of the EP, talking about regrets, remorse, and not living up to expectations (essentially summing up your twenties). There are plenty of group vocals and power, which will keep listeners in the mix. However, it’s the Simple Plan-esque bridge that brings it home, when the instrumentals quiet down for just a breath, and the vocals get a moment to shine, before the song truly explodes. The track is a definite high note, and sets the standards for the rest of the EP quite high.

Almost like the band chose to forego a fade out, the EP quickly moves into “Alive,” which is everything the thirteen year old emo inside of me dreams about. Pop-punk isn’t dead? Neither is emo! With dark lyrics, but an overall hopeful tone, the track is a love song, and hints at a bit at being a little too dependent on someone for your happiness, but there’s something so damned catchy about it, it’s irresistible. “I spent years wishing I could be someone else, now all I want is to be by your side,” Kabes belts out…and you’ll find yourself belting along too. Guaranteed. In a similar breath, “Echoes” will transport listeners back to 2003 (perhaps even 2005). The song shows a bit of an edgier side of The Way Away, and I have to say, it’s a good look for them. Moody, bitter, and strong, “Echoes” is, hands down, a standout track on Something I Never Wanted. Perfect for AFI (and possibly Alkaline Trio) fans, the rhythm (courtesy of Jake Engler on bass and Wyatt Engl on drums) is fantasic. Heavy guitars really round it out, especially with moments of group vocals slipped in.

“Alone” is an ideal live-show tune. I can imagine lots of jumping, lots of lyric-shouting, and plenty of energy. Despite the emotional lyrics, there’s a raw quality to the track that seems to ignite as it carries along. However, it’s the fast-paced, summer anthem, and closer, “Six Feet Over,” that will leave listeners’ jaws slack. With a wonderfully catchy chorus, and breath-taking instrumental moments (check out Jeff Engler’s guitar solo!), The Way Away will mesmerize anyone within earshot. This is the song that will make you want, no, need, to see the band live.

Something I Never Wanted drops tonight. Pick up your copy at: https://thewayaway.bandcamp.com

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REVIEW: Michael Persall – ‘400’ EP

michael persallMichael Persall kicks off his latest EP, 400, with “The Move,” an upbeat tune that perfectly captures a sweet courtship, all the while showcasing some of Persall’s enviable vocal talents. The indie-pop/rock single is radio worthy, with perfect timing, a happy-go-lucky charm, and a fantasy appeal, as evident in the music video. Persall has a definite presence to him, reminiscent of a 60’s frontman, as evident throughout the EP.

“I’ll Wait” has an irresistible blues/pop style, coming across like a modern uptake on “You Can’t Hurry Love,” with a cinematic, stand-out quality. It’s a guy who was too busy chasing other people to see the one in front of him, but coming around, and making his move, no matter how late it is. I can only imagine how well this song went down at one of the 400+ shows Persall played in NYC this year, after which the EP was named.

However, it’s the heartfelt and heartbroken sounds featured on “Doesn’t Make It Right,” that stand out the most. The track is the bitterness after the break-up; the narrative of a person who has been hurt, betrayed by someone he loved, who he thought loved him. Persall delivers an incredible performance on the song, with a vintage quality that makes it sound as though it could be straight off of a vinyl from the 60s. It is, hands down, the best track on the EP.

Persall caps it all off with the catchy, upbeat dance anthem, “Fine With That,” perfectly book-ending 400. The track will make you want to dance around the room, and maybe press the repeat button on the EP.

400 is out NOW.

For more on Michael Persall, please click here.

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REVIEW: The Future Scares Me – ”Till It’s Dark Out’

The Future Scares MeDream-like and reminiscent of a child’s fable; that’s the best way to describe The Future Scares Me and their brand new EP, ‘Til It’s Dark Out, set to be released this December.

The EP starts off strongly with the notable lead single, “Slow Down,” and it’s colorful, lush sound manages to express the true sadness of getting older, and the things around you changing. The track is a perfect single, and an even better introduction, with a cinematic, entrancing momentum that pulls you in, and will keep you hooked for the entirety of the EP. In a time where everything we do is rushed, The Future Scares Me have crafted a song that is both excellently done, and also a perfect reminder that nothing lasts forever.

TFSM brings in a more electro-pop, synth-driven sound, courtesy of Eli Sundelson, on “Not So Far Away” and “Waiting For The Sun,” but it doesn’t detract from the soulful vocal stylings of Sonia Sundelson. Both tracks have an eerie element that maintains the dream-like quality, adding in ethereal harmonics. “Waiting For The Sun” has an almost dystopian/post-apocolyptic vibe, and solidifies that TFSM are excellent story-tellers, with bright, clear imagery. There is a definite contrast between the synth and drums (David Christian) and the melodics, which may or may not have been a purposeful decision, but it seems to act as a reminder that music is not entirely about analyzation and lining everything up; it’s about enjoyment.

‘Til It’s Dark Out finished off with “Play Dumb,” a quirky, more melodic tune, with a Peter Pan-esque narrative. As the song builds, it makes it more obvious that TFSM have a lot to say, and are nowhere near from done. There is a quality to their sound and a rawness to their talent that makes them stand out…and you should be paying attention.

‘Til It’s Dark Out will be out on December 8th, 2015. The duo will be performing at their EP release show at Shea Stadium in Brooklyn, NY, on 12/8/15, alongside Pajama Peoplealtopalo and oMoO.

For more on The Future Scares Me, click HERE.

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REVIEW: Paper Hearts – ‘Portrait’ EP

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Boston-based pop-punk band Paper Hearts may be fresh on the scene, but they’ve already branded themselves with their debut EP, Portrait. From beginning to end, the four-piece band will charm its way into your earbuds…and maybe your new favorites list. Each track has a quality to it that will make you want to go and see the band live, like, yesterday.

The EP kicks off with the Warped Tour-esque set worthy “I’ve Got a Bad Feeling About This,” which will have you jumping up and down. It’s pop-punk at its finest, with catchy lyrics, mosh-worthy moments, and plenty of wonderful guitar, much like “Remember The Day.” Both tracks are high-energy, and you can practically see the circle pit forming now. Telling the story of a first encounter, the latter track has group vocals, plenty of chances for the crowds to get involved, and delivers a strong performance, including a “rap” of sorts, showing the band’s versatility. However, it is the amazing, almost Aerosmith quality guitar solo and the undertone of the bass that really gives the song an added oomph.

Paper Hearts deliver plenty of energy on Portraits, including one track so pop-punk, I almost feel the need to cover one eye with stick-straight hair and wear a studded belt backwards all over again. “A Part of My Past” talks about friends that are always there, a town our narrator has to get out of, and a love that’s on the brink of ending badly; it’s pop-punk heaven…But where’s the pizza? Jokes aside, the back-and-forth vocals between Tyler Hamilton (vox, guitar) and Jeff Gustus (lead guitar, vox), alongside the harmonics, that really round out the song, and show a hint of the experimentation that we see on the bass-heavy “Save Yourself.” The track is reminiscent of Avenged Sevenfold almost, with a heavier, more haunting sound, showcasing the band’s almost chameleon transition into another facet of their sound. Hamilton also has a shining moment, where he showcases his wonderful ability to convey emotion with every line. He has a real talent for it, and it makes “Save Yourself” all the more notable. Ben Ayer (bass) and Isaac Hiller (drums) seem to have fine-tuned their team effort about bringing the rhythm to almost pulse-like quality; there really is something to be said for subtlety.

The EP’s two “softer” tracks, “Follow You” and “Stay,” are stunning, melodic, building additions to the collection. I could play those two on repeat all day. “Follow You” is filled with beautiful acoustics and a raw quality that adds to the quality of the EP. It really is a highlight of the release, with vocal harmonies, an amazing guitar solo that will leave your jaw a little slack, and an overall strong presence to it. The latter is a piano-driven song, with an almost magical quality to it, perfectly contrasting with the heavier sound of electric guitars. It’s the kind of song that would leave you breathless during a live performance, and acts as the ideal finisher for Portrait.

Overall, Paper Hearts have produced an incredible debut EP with Portrait. It showcases their talent, versatility, and is a great glimpse of what we can expect from them throughout their career. And so far? We see a breakout act in the making.

Portrait EP is out now! Click HERE to purchase a copy.

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REVIEW: Marianas Trench – ‘Astoria’

marianas trench astoria

Marianas Trench are finally back with a new album: AstoriaIt has been well-worth the wait, I assure you. There is nothing rushed or sloppy about this album, which drops on October 23rd. The album plays out like a coming-of-age film, much as the band aspires, especially considering its multitude of Goonies references, and the strong 80’s presence that adds to the enjoyment of every track.

Each transition track could have been a part of a film score, or even deemed as the overture in a larger-than-life stage show.

“Astoria” kicks things off with a massive, cinematic introduction, and then the piano comes in, rounding out the already magical instrumentals. Josh Ramsay’s vocals come sweeping in beautifully, adding to the overall melodic tone. There’s a depth to this track that rings out like a banner to listeners, an anthem of sorts, and has an operatic feel as some points (one point actually reminds me of Queen). This song is revenge, lust, adolescence, and everything in between. For those of us that grew up on 80’s music still being played all the time, this track is perfection, going through multiple emotions, and finishing off with a sweet moment on the piano that feels like the red velvet curtain being lifted onto the most amazing stage show. 7 minutes isn’t long enough!

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“The Martian” Review

Hey everyone! I know this review seems rather un-timely, but I’ve had a lot to deal with lately, as I’m getting married in November! It’s a crazy time for me, but I still want to get some content out. I will have another article out this week to make up for my absence. Love you all, and enjoy my review!

The Martian Launch One Sheet

Imagine you’ve become an astronaut. It helps me when I put a glass bowl over my head and make radio static noises with my mouth. Feel free to do this yourself.

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(Preferably with no pets inside of it…)

Imagine you get the opportunity to go on a mission to mars with a team of people who you’ve come to respect and admire. Imagine that a storm forms and makes you abandon said mission after months of space travel. Imagine a flying piece of debris knocks you out, and buries you in the red sand of Mars on your way to the escape ship…Then imagine that you survive, and find out your team has abandoned you on the planet. You’re alone, with limited supplies, in an environment devoid of life, as well as a source of oxygen; the base you have on the planet is built to last a finite length of time.

With my bowl on my head, I scream and curse. I imagine I would just live off the freeze-dried food selection I have until I run out and starve to death. Unless of course, my temporary base falls apart before then, and the atmosphere of the planet ends me first. I imagine I would hate my team for doing this to me. The situation seems so dire. How could I do anything except embrace the inevitable?

The Martian is such a masterpiece (Yes, masterpiece) because it provides you with a set-up that seems so hopeless, and gives you a character that’s inspiringly hopeful.

Matt Damon plays Mark Watney: An astronaut/botanist placed in the exact situation I described above. Most people would react to the situation as I would: I would hate my team and I would be gloomy. I would give up.
Watney blames no one for his situation. He’s aware of his chances but chooses to be hopeful anyways. He never gives up. The most inspiring moments in the movie, to me, and there are many, is when Watney will tell himself that he’s going to make it. It’s a simple statement that is emotionally potent, and perfectly epitomizes his character.
Damon was the perfect choice for this role. He’s likable, is believable when he delves into all the science-talk, and looks physically capable all the things he does.
The movie also stars Jessica Chastain, Michael Peña, Kate Mara, Sebastian Stan, and Askel Hennie as the Mar’s crew. Matt Damon isn’t rivaled by anyone here, but that doesn’t mean that anyone did a bad job. Quite the contrary! Chastain is always a joy to see, and plays the captain of the team, which is a role that suits her well. Michael Peña is a riot as usual. He has some scenes of back-and-forth dialogue with Damon, and they play off each other well.

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Then there is Kristen Wiig, Jeff Daniels, Sean Bean, Chiwetel Ejiofor, and Donald Glover as some of the people on earth who are working hard to get Watney back home.
Every single one of them is excellent.
I hate lumping every one of these actors together and saying they did a good job, but this movie is so packed with talented people, that it would be a disservice to try to briefly describe them all. It would take an essay written by a person much smarter than I.

The directing is wonderfully done by Ridley Scott, who is very well-known in the science-fiction community. He directed some tiny films, like Alien and Blade Runner, that I guess have given him a tiny following.

Maybe he'll be big one day

Maybe he’ll be big one day…(sigh).

His experience with environments in space and stories about isolation really make him the perfect choice for this movie. He makes the barren Mars landscape look gorgeous, and he makes watching Watney perform mundane and repetitious tasks surprisingly captivating.
The entire movie’s ability to captivate is very impressive. A man using science to survive in a desolate location for months shouldn’t be this entertaining and accessible. Watney plants potatoes, sets up equipment, creates a source of water, and it’s all interesting to see. Damon’s embracing of the role and the writing really do wonders. The film has a runtime of 2 hours and 14 minutes, and it flies by. When the credits started to roll, only then did I notice how badly I needed to go to the restroom. A truly great movie will distract any bladder from doing it’s job. Don’t test this theory though. If you do and the dam breaks, well, maybe the movie you were watching wasn’t as good as you thought. Don’t blame me.

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“You lied to me, Jordan!” “Looks like you’re lying to yourself”

This is a hard movie to review, because I don’t have many things to talk about without going into spoilers. I don’t want to review it, I want to dote on it and talk about how good it was. It has flaws, like every film does, but they’re all so insignificant compared to what it’s accomplished as a whole. It’s directed brilliantly, it’s acted wonderfully, it’s visually and intellectually engrossing.I don’t have much more to say besides go see this movie! If you enjoy films at all, you’re in for a treat.
I don’t like rating movies on a star or number scale, so I’ll be rating them on a recommendation scale.

The Martian: Highly Recommended to everyone.

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“Jordan’s Take” – Movies are coming to Planet Stereo

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To whomever stopped searching the vastness of the internet, the glorious thing that holds endless entertainment possibilities, to lay your eyes on these words, my God, thank you!
My name’s Jordan, and what you’re currently reading is the first article to come out of “Jordan’s Take”; A new part of Planet Stereo that will have me tackling movie reviews, recommendations, opinion pieces, and various other things related to cinema.
I wanted to let everyone know a little bit about me and my love of movies, but I wanted to do something a little more than make a list of my favorite films, or just write some paragraphs on my life story. As great as my diaper years were, I wanted to tell you strictly about my experience with movies, which involves a bit of tragedy that has happened recently.
On August 30th, 2015, Wes Craven passed away.
I was informed by a friend of mine on Facebook.

dude did you hear? Wes Craven just passed away.”

I felt so strange about it. And sad.
Wes felt like that awesome family member that you only see during the holidays, who always gave you the best presents and the warmest hugs. And I had never even met the guy. Since I felt so fondly of him, the Facebook post seemed so casual.

“dude did you hear? one of the coolest people you never knew just passed away.”

I googled his name, and sure enough, news articles were starting to trickle in about his passing. He had lost his battle with brain cancer. I never even knew he had cancer, let alone how serious it had gotten.

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The attachment to a stranger might sound odd to you, so let me go back a couple of years and tell you why I feel as I do.
When I was younger, my Mom never allowed me to watch R rated films. My Dad would make exceptions for films like Aliens and Terminator 2: Judgement Day, as he held them in high regard, and wanted to share them with his son. Eventually, his leniency was ended by the understandable idea that he shouldn’t show his son violent and gory films, and I wound up completely restricted from the restricted rating.
I grew up watching Disney films, Star Wars (which are now one and the same), and everything else other kids did. I would watch The Phantom Menace with a foam baseball bat in hand, ready to reenact every light-saber battle. Not like every child my age, however, I had a side of myself that loved horror.
Aliens had given me a taste. I consider it mostly an action flick, and a kick-ass one at that, but it no doubt shows you some horrifying things. The most credit goes to the Goosebumps book series by R.L. Stine, which really kicked it off. That’s not a movie, I know, but Stine’s work was an important component to my upbringing. His writing style involved setting up tiny cliffhangers at the end of every chapter, so you’d never want to put the book down, in fear of the character’s fates. His stories were more classic horror, but like Aliens, he showed me that having characters you care about really makes a story the most suspenseful.
That constant tension was something I had never experienced with movies outside of the one xenomorph filled adventure, but I knew others existed.
My friends at school had watched films like Child’s Play and Hellraiser. I would ask them so many questions about these movies, and they answered them all. The stories they described were exactly what I was wanting in a movie, and yet, that R rating was there.
It was when I spent some weekends with my great-grandmother that everything changed for me. This is when I discovered Wes Craven.
Scream 3 was playing on TV. I knew it was rated R, and I was going to be a good kid who obeyed his parents and change it, but then something extraordinary happened. A character uttered an explicit term, and I couldn’t hear it. It was edited. The movie was edited!
This was my in. Almost like a loop-hole! And I was excited to exploit the hell out of it.
I continued watching the movie, and something was so different about it. The movie was thrilling, it had moments that made me jump, and it was funny! How could a filmmaker make a movie scary AND funny? Who does that? I never would have thought that the peanut butter and jelly of genres would have been horror and comedy. But it was. They might even be the peanut butter and chocolate. Yes, Scream 3 was the delicious Reese’s of cinema that I didn’t know I wanted.
I eventually felt guilty and told my Dad about watching the movie, but he didn’t mind if I watched movies on TV. He told me anything too foul would be edited out.
My guilt was stabbed in the face. Investigators later identified the killer as joy.
I looked at the channel guide over the next few weeks and learned when the other Scream films were playing. It took a while, but eventually I had watched all of them.
And I was blown away.
I loved the characters, I loved the suspense, I loved the mystery, I loved the idea of killers inspired by films. I thought it was genius, and I now see many critics thought the same. It was such an enlightening experience. I knew what films could do now. And I wanted to write films just like the Scream series.
I discovered later on Wes Craven was the creator and director, and I knew I wanted to follow this guy. I wanted to do what he did. I wanted to write, and I wanted to scare people with my writing. I wanted their knuckles to turn white and wanted them to feel frightened by something I had created. I wanted to tell people a good story that they would react to.
Wes became an inspiration, whether I realized it at the time or not.
When I got older, I discovered A Nightmare on Elm Street, and it solidified my love of Craven’s work. When are you more vulnerable than when you’re sleeping? You can’t escape sleep! It comes eventually, and Craven creating this monster, this horror icon, that can kill you when you sleep…
Amazing.
I own every Nightmare and Scream film. I’ve watched them all countless times and I will continue to watch them for inspiration,and to keep his memory alive.

My guilt was stabbed in the face. Investigators later identified the killer as joy.

The death of Wes Craven hit me so hard because he was an essential piece of my childhood. My adult life would not be the same without him. His work has shaped who I am, so I can’t help but feel sad that he’s gone. He’s a piece of me, and a piece of many, that will be missed.
It sounds like Wes just gave me a love for horror films, but that couldn’t be farther from the truth. He gave me a love for quality and creativity. He gave me a standard that I judge movies on. He gave me my first taste of good cinema, and that translates to every genre.
May he rest in peace.

Hopefully that gave you an idea of what I’m like when it comes to movies, and hopefully I gave a fitting tribute to one of the best filmmakers. I’m a big horror fan, but I love pretty much every genre, as you’ll see when I start doing some reviews, and I’m super excited about doing those reviews! I’m super excited to write for you all.

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REVIEW: Michael Jayson – ‘Running The Spectrum’ EP

michael jayson albumRunning The Spectrum kicks off with the catchy, piano-driven single, “Through Your Eyes.” The song is full of rich instrumentals with cinematic quality, and some stellar bass. With wonderful lyrics and an upbeat tone, this song is guaranteed to put a smile on your face, featuring an infectious optimism that provides a whisper of encouragement. Michael Jayson provides an ideal introduction to his sound. However, that’s not to say the singer/songwriter doesn’t show versatility, with tracks filled with more attitude, such as “Same As Me,” with an edgier undertone, almost reminiscent of a punk track. Then the folk presence comes out full gear. Instrumentally, it’s not got the same excitement or intricacy of its predecessor, but there is an honesty in the commentary of a modern relationship; knowing what’s too fast or too slow or how you’re “supposed” to feel, as well as just a plea to give a relationship a try. There’s something very late 90s-early 2000s about the track (think Tal Bachman).

“A Letter” features an entrancing guitar introduction; it’s a soft track with rhythm that comes in perfectly. The song is rich in quality, and the storytelling talents of Michael Jayson are more than evident on this track, with the idea of seeing how someone you once knew turning out how you’d imagined them, and feeling happy for them even if you’ll never see each other again. It could almost be the other side of the story on “Better Days.”  The former is pessimistic about a relationship that’s reached its end, but optimistic about leaving being for the best, developing an interesting contrast. “Better days are not coming ahead,” the song seems to say, like a plea not to waste time waiting for better days that may never come. It is a bold statement on the EP, but Michael Jayson takes it one step further…

Hands down one of the best tracks on Running The Spectrum, “What’s His Name” is edgier, bolder, and showcases an almost bitter side to Jayson, whose storytelling talents manage to get pushed the extra mile. Seemingly without trying, the song sets the scene both lyrically and instrumentally; I almost automatically picture a summer night with tension that you could cut with a knife. There is a sad theme of giving your all to someone who started out great, but is not backing away. “What’s his name” doesn’t really appear to be so much a question as a case of, “What’s his name walked out last night…” It’s almost like telling someone to forget the person, or saying that you’re living with a stranger.

“Second Thoughts” finishes Running The Spectrum off by coming back to the softness that seemed to start the album off, and, coincidentally, bringing the EP full circle. Again, the track features rich instrumentals; it’s a song about coming home, even if only in your mind. It is beautiful in its own right, and really makes the EP sound more like a success from start to finish.

As an introduction, I find Running The Spectrum to be a wonderful declarative statement of who Michael Jayson is as an artist. The more I listen, the more I find myself excited by the prospect of where he will end up on the spectrum himself (pun not intended).

For more on Michael Jayson or to pre-order Running The Spectrum, click HERE.

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